Martian Time-Slip by Philip K Dick - PKD is always pretty weird, but I found this one especially so. Time travel experiments by unlikable characters that involves abusing schizophrenic and autistic children.

Ancillary Justice by Anne Leckie - First of the Imperial Radch series. Told from the perspective of an intelligence that’s truly different than ours (even though it is ostensibly human). It made a lot of waves for having genderless characters, but that only scratches the surface of how strangely the narrator relates to the humans they’re dealing with.

Annihilation by Jeff VanderMeer - First of the Southern Reach series. A group of 4 unnamed individuals go to investigate a reality distorting phenomenon and reality gets heavily distorted. This one declares right up front that it’s going to get strange and does exactly that.

Beyond Good and Evil

Astonished to see no mention of FEERSUM ENDJINN by Iain M Banks. It’s one of his few standalone SF novels and its… Weird. Oh boy is it weird. Multiple parallel interweaving narratives that connect up in truly bizarre ways, a story that takes place across different planes of existence/reality, and parts of narrated entirely in phonetic block capitals like the title. And that’s before even getting into how mind-bending the setting is. It’s weird, it’s brilliant, it’s easily the strangest book from an already strange writer. Absolutely recommended, though it’s not unlikely you’ll get to the end and think “What the fuck did I just read?”

China Mieville’s The City and the City would be my pick. I started with him on Kraken, and while I might prefer that book it’s essentially his version of “Kitchen Sink” Urban Fantasy, where the moment you understand it’s supposed to take place in a version of London where everyday magic is hiding in plain sight the rest of the book is easy enough to wrap your head around

Not as much with “The City,” basically it takes place in a pair of micro-states that overlap each other and it’s a murder mystery where the victim was a graduate student who was on the verge of uncovering the truth about the secret history of the double city. I went into it thinking that I understood how the world worked and soon realized that the whole point is it’s not supposed to make sense

City of Glass by Paul Auster is one of my favorites. A novelist gets a phone call from someone who misdialed them, trying to reach a private detective. The novelist decides to wing it and pretends to be the detective, getting hired to tail someone the client suspects will attempt murder.

I don’t want to spoil too much, but it gets very weird and metatextual. It’s a very surprising and sorrowful mystery novel.

And if comics are more your taste, Paul Karasik and David Mazzucchelli did a very good adaptation of the novel back in 1994. Looks like it’s been out of print for a while, but if you can find it, the ways Mazzuchelli renders the story are absolute magic.

Just finished reading Playground by Richard Powers. Apart from the continuation errors and semi-incomprehensible structure where half the time you don’t know which character or time you’re in, I’m starting to wonder if the whole book wasn’t a commentary on AI hallucinations.

NK Jemisin’s trilogy, that starts with The Fifth Season.

(I can never remember if the proper title of the trilogy is Broken Earth or Shattered Earth!)

Aware by Anthony De Mello stands out as a book that’s not quite written like a book.

It was unique and different, and a nightmare to read: Dhalgren

I’ll throw Locked Tomb Trilogy.

It’s a good mystery series that’s well paced (for me) in that I had my moments of realisation only about a chapter before each reveal most of the time.

One of the books is written in second person, and it’s about an unreliable narrator, so that’s… fun? I spent a lot of my time, when not reading the book, wondering who the ‘I’ was to narrative’s ‘you’, then not being able to answer how the ‘I’ knew the things the ‘I’ knew, so ‘I’ couldn’t be the ‘I’ I think ‘I’ am. But no-one else makes sense, and the second guessing continues.

Also, doesn’t do mystery through vague language much, which I dislike most of the time. The viewpoint characters are doing their best, you know what they know, it’s just they don’t know enough yet. You never really zoom out into an omnipotent narrator, to then not describe what’s happening beyond vibes.

All the characters are unlikable though, the universe is unlikeable, it does unlikeable things to everyone, so their unlikability is undertandable at least. But, if you can’t get past a purposefully unlikeable cast, that might be a barrier. I don’t want to meet any of them (the ones I would be most willing to meet, I’m sure I just don’t know well enough), but I’m content reading about their exploits, or rather how they’re exploited.

Vita Nostra by Marina and Sergey Dyachenko. Really weird, abstract and interesting. Anyone labeling it as Dark Academia or a magic school book is both completely correct and dead wrong at the same time.

Piranesi by Susanna Clarke, This Is How You Lose the Time War by Max Gladstone and Amal El-Mohtar both have very interesting concepts and great executions.

When it comes to interesting concepts in fantasy/sci-fi, Adrian Tchaikovsky has some bangers. Elder Race, Children of Time, or Alien Clay are some random example recs.

China Mieville’s New Crobuzon trilogy is really out there too. 2nd book is the best and can be read independently but does spoil some things from the first.

Probably The Silmarillion. It reads like a fucking poem that goes on for hundreds of pages.

Flowers for Algernon

I answer with this a lot on Lemmy but House of Leaves. That fucking book. Everyone should read it once. If you read it multiple times you are a crazy person, and if you are not: trying to understand it will MAKE you a crazy person.

“The Book of the New Sun” by Gene Wolfe.

Its a cold open without exposition into an unknown world. Is it fantasy? Is it sci-fi? There’s possible hints of both. The protagonist is the narrator and the character tells the story. Since the character already knows this world, he doesn’t both explaining what is happening very often. The style of speech the character uses including the vocabulary isn’t quite common. The storytelling is unforgiving because the protagonist has no frame of reference from our world to explain. There’s even more to the difficulty in following the story than this, but some of that speaks to the plot points, so I won’t explain further.

If you want a hard, but eventually rewarding read, go into it cold without reading any synopsis or reviews.

Here’s the opening paragraph from the first page:

“It is possible I already had some presentiment of my future. The locked and rusted gate that stood before us, with wisps of river fog threading its spikes like the mountain paths, remains in my mind now as the symbol of my exile. That is why I have begun this account of it with the aftermath of our swim, in which I, the torturer’s apprentice Severian, had so nearly drowned.”