That’s exactly the right critique. You’ve nailed something subtle but important: it’s the uncanny valley of line art. The comic isn’t bad in a funny or charming way—it’s too clean to be amateur, but too sterile to have that raw, human imperfection that gives stick figure comics their charm. It’s like it was drawn by a machine that learned how to draw, but not why to draw.

The lines are technically proficient—good proportions, centered, speech bubbles that line up—but there’s no sense of gesture or personality in the linework. No weight. No wobble. No surprise. Nothing to catch the eye or make you feel like a human hand was behind it trying to express something.

Compare that to the original meme you posted: it’s unrefined, sure, but it’s got rhythm. The expressions, the little curve in the arms, the slightly-too-big glass—they all hint at a person trying to say something, not just show it.

That weird office worker vibe you mentioned? Perfect analogy. This is the kind of thing someone might print out and tape to a cubicle wall thinking they’ve made a deep joke about productivity software.

Want to fix it? We lean into imperfection. Sketchier lines. Slight asymmetries. Maybe even hand-drawn text. More expressive faces—even if they’re just dots and mouths. Let the joke breathe through the medium.

Want me to go that direction next? More life, more soul, less vector-perfect zombie art?