You will need the tactical bezel add on for that
You will need the tactical bezel add on for that
The very largest potato you can find.
Generative AI has been an absolute game changer in my retouching work. Slightly worrying that it’ll put me out of work sometime in the future, but for now it’s saving me loads of time, handling the boring stuff so I can concentrate on the stuff it can’t do.
Last one I ordered was left inside a wheelie bin. Which my neighbour helpfully put out the next morning.
Yeah, what makes it good is the unparalelled feature set, which is also why the pros use it.
I mean that makes absolutely no sense at all. It’s what the professionals use for good reason.
Pro retoucher here. Guess I’m just a silly goose them.
Moved into a newly renovated flat that hadn’t been cleaned. So there was a think layer of brick/plaster dust all over every surface. Then spent months fighting a four figure electricity bill because it turns out the builders had used my particular flat to charge their kit for months.
Renault Vivaro. She’s called Julie. Julie Vandrews. Also know as me Julie.
Volumetric video for sports is interesting because it offers VR users the option to ‘be there’, but the provider can also offer desktop/mobile users the option to control their own virtual camera. I can kinda see it taking off in a few years when more cheaper/lighter headsets with good passthrough arrive.
The main issue was plugins and external programs compatability. There are some really obscure plugins for advanced work in Indesign, like syncing with client spreadsheets for catalogue work, auto generating indexes/references, that kind of thing. Another problem with ID was working on a network with multiple users accessing the same file from different locations. With Photoshop it’s a similar story, we had a lot of actions and custom scripts that would’ve been a massive headache (or impossible) to port over manually. Personally I use a lot of scripts/actions using smart objects, auto selections etc for batch processing and the feature set in Affinity just isn’t (or at least wasn’t) up to it. These days I prefer Capture One over Lightroom for RAW processing but I still need to use LR when processing timelapse because the 3rd party plugins only exist for LR.
Yeah to be fair it’s been a few years since I looked and the list of issues that meant we couldn’t switch wasn’t too massive. Hopefully they get there!
Affinity is the closest but still a ways off being a viable replacement for ID or PS. Source: worked in a design studio, every few years we would try Affinity in an attempt to de-Adobe our workflows but it’s just not comparable.
Capture One is great. Better than LR for many things, especially tethered shooting, but I still need LR for specific workflows (timelapse processing).
Thanks, seems easy enough! Unfortunately my work revolves around the Adobe suite so it’s W11 fun times for me yay
I should probably look into why my absolute beast of a machine apparently isn’t compatible with W11. I’ve just been ignoring it forever.
Steam VR not good enough for ya?
Doesn’t look that dissimilar to Windows to me, am I missing something?!
Nothing against FC but saying it’s infinitely better than something lika Davinci Resolve is just silly.