Depends what’s in season. Where I live: crabapples, blackberries, Japanese Silverberries. There’s probably a ton more, but these are the things I feel comfortable eating whenever I find them at a park etc
He/Him. Marxist-Leninist, Butcher, DnD 3.5e enthusiast and member of UCFW local 880. I administrate a DnD 3.5e West Marches server for Socialists called the Axe and Sickle. https://discord.gg/R5dPsZU
Depends what’s in season. Where I live: crabapples, blackberries, Japanese Silverberries. There’s probably a ton more, but these are the things I feel comfortable eating whenever I find them at a park etc
I’m part of a coalition trying to prevent a private equity firm from buying out a local nonprofit hospital and using AI to “Improve efficiency” is one of their plans that we’ve had to study (done by people much more competent than I).
The main thing they plan to use AI for is filling out paperwork - nurses will record their introductory interviews with patients and the AI (basically, speech recognition + knowing what fields to fill out for certain information) will automatically fill out that patient’s chart.
I’m sure they’re planning on using AI for other purposes as well, but this is the most prevalent use - speech recognition and filling out charts automatically.
In my opinion, it’s far more likely for people to use AI as a weapon to kill people than for AI to “go rogue” and destroy humanity.
While humans are doing a fairly good job on their own of people psychopathic freaks, imagine a world where police robots are laying siege to neighborhoods, where corporations use AI to maximize efficiency without regard for human suffering.
The real danger of AI is the lack of liability. If a cop kills an innocent person, you can put him on trial. If a robot kills an innocent person, this will get written off as the unfortunate collateral of technological progress (and maybe the department will have to pay the family a fine, a fine that is just coming out of tax dollars anyways).
The problem isn’t as simple as “Spotify Bad”, you’re right.
It’s that the default contracts for artists are outdated, written for the world of cd and record sales. In the new world of streaming, artists need to bargain for greater rights to streaming proceeds in their contacts - and they’re working on it, but god knows the publishers don’t want to give anything up.
Spotify as a company barely makes money; I’ve heard they’re actually in the red. The villains are the labels, and Spotify and other streaming services are the weapon they are using to rip off their artists.
Elon Musk runs the whole of Twitter like the jealous, power-drunk moderator of a small 5,000-member Discord server.
You are legally permitted to do so, but not entitled.
What’s the difference? DRM.
If you license a digital work, you are allowed to make copies for personal use. However, if the publisher includes features to prevent replication, you are not entitled to make a copy; in other words, publishers including DRM to prevent replication of their works is not illegal because you do not have a right to copy digital works you license, but you are allowed to do so.