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Huh? With my ears, normally.

I’ve been posting jazz-fusion and jazz-metal some time ago in the music communities, see in my profile: the posts are marked with the genre. You’ll probably want to start at ‘Jonny Greenwood — Bodysong’ and go in the chronological order of the posts, which is also approximately by increasing craziness. Fugu Quartet/Quintet in particular did jazz with doom-metal, so in kinda related spirit.

I also posted some regular jazz and other stuff, see if anything catches your eye or ear. It’s all from the personal selection.

That album reminds me of The Kilimanjaro Darkjazz Ensemble, Bohren & Der Club of Gore, and perhaps The Mount Fuji Doomjazz Corporation, so you can try those if you want vaguely similar sound.

It’s because ‘Rockit’ was made by Bill Laswell, Michael Beinhorn, GrandMixer DXT and three other guys on turntables. Hancock basically turned up at the end to play some synth lines.

Laswell and Beinhorn were in the band Material, and turned it into a production outfit, plus Laswell was a producer at the label Celluloid at the time, which label was a pioneer of hiphop. He also participated in the New York no-wave jazz scene as musician and composer.

Hancock was in his early forties, and his career was getting stale. His manager, twenty-five years old, pitched the idea of making a track to both him and Laswell. Hancock was taken by Laswell to hear some popular djs, but still required more coercing by the manager.

Material’s early stuff might be closer to ‘Rockit’, although it’s more disco-funk. Dunno about Celluloid’s output, as I’m not really into old hiphop. Laswell used scratching in some of his genre-clashing projects well into the 2000s, e.g. in the ‘Axiom Sound System’ concert with Tabla Beat Science and a bunch of other folks (including Grandmaster DXT). Laswell also co-produced and played bass on the rest of Hancock’s ‘Future Shock’ album and the next two albums ‘Sound-System’ and ‘Village Life’, and did other collaborations with him.

(Yall might be familiar with Time Zone’s ‘World Destruction’ with Afrika Bambaataa and John Lydon; and Material’s ‘Seven Souls’ with the voice of William S. Burroughs. Both of these were featured in ‘The Sopranos’, and both were produced by Laswell, just like PIL’s album ‘Album’.)

This video showcases the kind of math that Angine de Poitrine have to constantly do: ‘Angine de Poitrine’s Math Rhythms Explained’.

You probably want to pick something supported by the Rockbox firmware, in case the native firmware is so-so.

Imo honey works better with cheese. Also can handle some added sausage, as suggested by another commenter — though I prefer parboiled sausage like hotdogs rather than that with globs of fat.

‘Stalker’ isn’t a studio film, same as Tarkovsky’s other films. They are ‘auteur’ films. ‘Stalker’ doesn’t even really follow the novel, it’s rather Tarkovsky’s ideas put into the same setting.

Directors who want to make slow films, make them still. See e.g. ‘Boyhood’. Of Russian films, try ‘Hard to Be a God’, the last film of Alexey German, made in 2013. There’s a whole movement called slow cinema, with extreme examples like Lav Diaz’s work having runtimes of up to ten hours. The second-longest ever cinematic film was made in 2024.

I typically don’t listen to the lyrics, but a few songs by The Velvet Underground are an exception, and I like Lou Reed’s writing style of using simple words and imagery. Check out ‘Candy Says’, ‘I’m Waiting For The Man’, ‘After Hours’, ‘I’m Sticking With You’.

A couple songs written by Jackson Browne and sung by Nico work in a remarkably similar way: ‘These Days’ and ‘The Fairest of the Seasons’.

Hammerspoon and Alfred are way better automation utils than alternatives in Windows or Linux. The absence of these two makes me weep regularly.

Karabiner might be the best too, haven’t looked into third-party Linux remapping utils yet. Both Cinnamon and KDE support only predefined remapping out of the box.

HyperSwitch and a dozen other utils allow customizing cmd-tab switching, namely add switching between windows instead of apps.

Native Clipy clipboard manager is way snappier than CopyQ. At least for Windows there’s Ditto.

There’s even an util called Mos fixing the fact that apps with foreign UI frameworks don’t understand the mouse scrolling speed properly, and treat the mouse and the touchpad differently. Which is also present in Windows.

You know about the touchbar? MTMR allows custom buttons on the touchbar, with custom actions. I’ve used it to connect/disconnect bluetooth headphones or hand them over to the phone (which was also set up as an Alfred command and as buttons on the phone itself, with bidirectional logic everywhere).

Shortcat allows keyboard access to arbitrary UI elements in the active window: sorta like Vimium for browsers, but you type a bit of the text label instead of a two-letter shortcut.

Hazel automatically processes files saved in particular folders, with particular rules — like the downloads. It can e.g. rename, move, or tag them. By the way, did you know that MacOS has tags for files while Windows and Linux have jackshit?

MacOS’ Cocoa UI framework allows addressing any element in an app’s window via xpath (iirc) and manipulate them, if given accessibility permissions from the user. Which permits doing a lot of UI automation without fiddling with mouse coordinates and faking clicks. And can be done with native AppleScript (although I’d prefer that they properly supported JXA instead). By the way, more than a few apps provide their own support for AppleScript, such that for example you can access notes in Evernote with it.

P.S. I also forgot about Automator, which is a first-party app by Apple, bundled with MacOS, that allows creating custom workflows for particular files, apps, or whatever. Neither Windows nor Linux ship with anything remotely like this, and even third-party apps in Win/Lin suck in comparison. iOS also has something similar with the Shortcuts app, while Google phones have the Assistant, which afaik can’t work without phoning home.

There are tons of utils to customize the MacOS UI, including lots of open-source ones and some that kick ass off anything on Linux or Windows. Anyone saying that MacOS can’t be customized, has never used MacOS.

After all, his last name literally means ‘Hungarian’, it doesn’t get more sovereign than that. Otherwise it would be like if James USA turned out to be a foreign asset.

One would think that this game is from the same developer as ‘Mini Metro’ and ‘Mini Motorways’, but nope. 🤔

You are somehow interpreting me not seeing the good in AI as if it was the same as less-able people being unworthy of aid?

I provided examples of the good delivered specifically by AI for disabled people, you still continue to dismiss it. This means that either you’re particularly dumb, pretend to be so, or are a bigot. Choose for yourself which one it is.

I simply say AI is not the way, or even a way. AI is the solution to an invented problem

Blind people not being able to see unless someone, or an AI, describes the surroundings for them, is an invented problem? You seem to be doubling down on either the bigotry or the idiocy.

But wait, since you say AI isn’t the way, you surely have another solution in mind. You know you’re free to advocate for that solution instead, without being an asshole toward disabled people.

when people say “only AI can cope with the scale”, have you stopped to ask, where does the scale come from?

That video is from 2020. Pray tell, were you also protesting against AI in 2020, or did you finger your ass instead until it’s become fashionable to hate ChatGPT, so you could blindly transfer that hate onto Apple too? Have you ever spent a second to learn that the Neural Engine accelerator for AI functionality was included in iPhones since 2017, or did you just pull your ideas about ‘AI scale’ out of your asshole? Do you even understand what it means when AI processing is done locally on end-user devices, or did three buzzwords about AI hate block the entirety of your feeble reasoning ability?

And, for that matter, 85% of what people call “AI” is actually just remote operators in Kenya or India

Or really, please feel free to provide any semblance of proof that Apple’s AI is done by people in Kenya, India or wherever, despite the Neural Engine chip. Be sure especially to highlight how the poor overworked people are able to do sub-second responses to millions of queries every day, with no change in the cadence of quality of the responses.

Fun fact: there’ve been a bunch of ATC simulator games back in the eighties to mid-nineties, but the most successful ongoing series seems to be ‘Air Traffic Controller’, which is of course Japanese. Aside from Windows, it notably includes versions for PSP, DS, 3DS, and several mobile ports that are probably only released in Japan.

Supposedly the series includes layouts of real airports, mostly Japanese ones.

‘iPhone Magnifier and Voice over’

I don’t hear her complaining.

I replied to you with an example of AI recognizing things that the phone camera sees, to tell the blind user about them. That reply was before this comment of yours. I myself am also a person using auto-generated subtitles on YouTube, because my hearing isn’t too good, especially for the non-native English language.

Yet you claim that none of these uses improve things. So you see less-able people as unworthy of improvements to their lives. Nice to know, because an opinion stemming from bigotry can be summarily dismissed.

Seems to be a weather map or somesuch. Ironically it’s also a Macbook, not a Windows machine.

Take a look at how blind people can use phones to learn what’s around them, and tell me afterwards that you’re still against AI.

It was the man who died.

You wouldn’t have to clarify that if you simply didn’t follow the inane newspaper headline style that should be dead in the age of the web.